Catwoman

March 2nd, 2009
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When you say, “Catwoman”, most people also think, “Batman”. The whole Catwoman story intersects with the Caped Crusader’s story line. This film does not. This is a stand alone flick that twists several accepted plots. This Catwoman has super powers that are more like Spiderman’s. The Catwoman I grew up with had mental powers and agility that were a match for the Batman. The special effects of this film looked more like the effects in The Hulk than the dark edgy Gotham City we have grown accustomed to.

However, if I had not had a preconceived prejudice to overcome I would have liked the film more. If this film had gathered enough attention to warrant a sequel, it would have been fun to watch Halle Berry play up Catwoman’s fascination with Batman. Alas, the film fell just a little short for that to happen.

It was a gamble, but I imagine this film is destined to set for a long time in the reduced price section at your local department stores, waiting for the occasional Halle Berry fan to pick it up and regularly overlooked by the Batman fans. I’m not sure there really are a lot of Catwoman fans?

Cast

  • Halle Berry Patience Phillips / Catwoman
  • Benjamin Bratt Tom Lone
  • Sharon Stone Laurel Hedare
  • Lambert Wilson George Hedare
  • Frances Conroy Ophelia Powers / Catlady
  • Alex Borstein Sally
  • Michael Massee Armando
  • Byron Mann Wesley
  • Kim Smith Drina
  • Peter Wingfield Dr. Ivan Slavicky
  • Berend McKenzie Lance

Captain America

March 2nd, 2009
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Captain America is the title of a low budget film based on the popular Marvel Comics superhero of the same name. While the film takes several liberties with the comic’s storyline, it features Steve Rogers becoming Captain America during World War II to battle the Red Skull, being frozen in ice, and subsequently being revived to save the President of the United States. The film received a PG-13 rating from the Motion Picture Association of America.

Cast

  • Matt Salinger as Steve Rogers / Captain America
  • Ronny Cox as President Tom Kimball
  • Scott Paulin as The Red Skull
  • Ned Beatty as Sam Kolawetz
  • Darren McGavin as General Fleming
  • Michael Nouri as Lt. Col. Louis
  • Kim Gillingham as Bernice Stewart / Sharon
  • Melinda Dillon as Mrs. Rogers
  • Bill Mumy as Young General Fleming
  • Francesca Neri as Valentina de Santis
  • Carla Cassola as Dr. Maria Vaselli
  • Massimilio Massimi as Tadzio de Santis
  • Wayde Preston as Jack

Bulletproof Monk

March 2nd, 2009
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“Bulletproof Monk” is an okay film about a Tibetan Monk’s quest to keep a valuable scroll, which contains script giving its holder the gift of time – he or she will never age while the scroll is in possession. While protecting the scroll, he comes across a thief who, through time, fulfills three important prophocies. These three prophecies will let the monk know that he can now pass the scroll onto the next person to protect. All the while there is a villain (a guy who looks like a blonde Hitler) who is trying to steal the scroll so that he can become young and take over the world. The monk and the villain had a run-in sixty years ago and now he’s out for revenge.

Chow Yun-Fat and Seann William Scott do good jobs as the monk with no name and Kar. Jaime King makes an appearance as Kar’s love interest, but her performance is filled with looks into the camera either trying to come off as a bad a** or sexy. I couldn’t tell which. Almost all of her screen time consists of her looking into the camera and at the other characters with her chin down looking up at them. It was weird and I couldn’t understand why kept doing it. I think they could have gotten a much better actress for the part. King did a better, and more realistic, acting performance in “Pearl Harbor”.

Overall, this film is okay. I would suggest it if you’re in the mood for some special effects and a lot of fighting.

Cast

  • Monk With No Name – Chow Yun-Fat
  • Kar – Seann William Scott
  • Jade/”Bad Girl” – Jaime King
  • Strucker – Karel Roden
  • Nina – Victoria Smurfit
  • Master Monk – Roger Yuan
  • Mr. Kojima – Mako Iwamatsu
  • Mister Funktastic – Marcus Jean Pirae
  • Mercenary #1 (uncredited) – Mike Dopud

Buck Rogers

March 2nd, 2009
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Buck Rogers has never been held in the same high regard as the Flash Gordon serial but when it comes right down to it, it’s really quite good on its own merits. Obviously these two classic serial have one thing in common, and that is its star, Buster Crabbe. Crabbe was a gold medal swimmer in the 1932 Olympics and then became a movie star much like Johnny Weismuller. In fact Crabbe actually was up for the part of Tarzan that went to Weismuller. Crabbe would go on to play Tarzan later as well star in a string of Westerns but he’ll forever be remembered as Buck and Flash Gordon by most fans.

In this 12 part serial, Buck and his sidekick Buddy awake from suspended animation in the 25th century to find the world ruled by the nefarious Killer Kane (Anthony Warde). Buck Gets help from Wilma Deering (Constance Moore) and Prince Tallen of Saturn to eventually overthrow the ruthless warlord and bring peace to the world. Filled with classic space opera adventure, spaceships on strings, cardboard sets (and acting) Buck Rogers was a true early sci-fi classic. While almost second rate on everything compared to Flash Gordon, it still rises above most other serials of its day. Wilma Deering was no Dale Arden and Killer Kane no match for the deviousness of Ming the Merciless but this is still a very fun, and nostalgic serial to pop a few bags of popcorn over. Action-packed, and never dull!

Cast

  • Buster Crabbe as Buck Rogers
  • Constance Moore as Wilma Deering. This was the only serial appearance for Moore, a singer on radio and the New York stage.[1]
  • Jackie Moran as George “Buddy” Wade
  • Anthony Warde as “Killer” Kane
  • C. Montague Shaw as Doctor Huer
  • Jack Mulhall as Captain Rankin
  • Guy Usher as Aldar
  • William Gould as Air Marshal Kragg
  • Philson Ahn as Prince Tallen
  • Henry Brandon as Captain Laska

Blade: Trinity

March 2nd, 2009
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It’s unfortunate that after two wonderfully Gothic and masterful action/adventure films writer/director David Goyer opted for a mainstream audience and riddled what would have been a fantastic story and conclusion for the ‘Blade’ series with an injection comedic wisecracks and campy antics as provided by vampire hunter Ryan Reynolds and vampire Parker Posey. This totally unnecessary, almost blasphemous departure from the tone and mood cultivated by the first two films does incredible harm to the ‘Blade’ mythos.

The storyline couldn’t have been any better. The Vampire Nation seek out the originator of their ancestoral bloodline locked away in the Syrian desert and revive the legend. Drake i.e. Dracula (Dominic Purcell) is called upon to do battle with the greatest enemy of all vampires, Blade the Daywalker.

What a Titanic Battle! What a way to bring a fitting conclusion to a wonderful series! What a way to BLOW IT with Ryan doing stand-up in front of thirsty, unappreciative vampires and Parker Posey sulking and pouting about like a misunderstood valley girl gone Goth. Oh well, at least Jessica Biel was a nice bit of scenery.

Sorry Wesley, you deserved so much better than this.

Cast

  • Wesley Snipes Blade
  • Jessica Biel Abigail Whistler
  • Ryan Reynolds Hannibal King
  • Dominic Purcell Dracula / Drake
  • Kris Kristofferson Abraham Whistler
  • Parker Posey Danica Talos
  • Callum Keith Rennie Asher Talos
  • Paul “Triple H” Levesque Jarko Grimwood
  • Natasha Lyonne Sommerfield
  • Haili Page Zoe

Blade II

March 2nd, 2009
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So begins the second installment of a possible action / vampire franchise, BLADE II.

Wesley Snipes is back as the half-man, half-vampire hunter of the undead is a dazzling adventure that is pyrotechnically brilliant. His performance is part karate, part camp … but it works to wonderful appeal.

After the re-introduction of Kris Kristofferson’s character (thought to have been killed in the first installment), Blade is recruiting by the Vampire Nation for an interesting twist of an assigment: it seems that the vampire virus has mutated, creating a new breed of SuperVampires who feed on the undead … making an awful lot of vampires uncomfortable. So, Blade and the Vampire Nation call a truce in order to join forces to fight the minions of the SuperUndead.

From there, the audience is catapulted into a world where vampires maintain their own nightclubs secretly while the rest of society goes about their mundane yet mortal lives.

What works here is the fact that the formula stuck to the ‘crackerjack’ formula: package it sweet … and leave a little surprise for the intelligent viewer. BLADE isn’t for the Anne Rice fan contingent; rather, these films are specifically targeted at a much younger and, perhaps, less literate demographic. That’s not to take anything away from the story (with has classic overtones hinting at good vs. evil as well as the Frankenstein Syndrome); as a matter of fact, BLADE II succeeds on just about every level it promises.

My only question is when did all the Undead feel it was necessary to learn a martial art?

Blade

March 2nd, 2009
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Finally a mainstream vampire flick that is cool and delivers the action. Right away it is established that this is going to be different from every other vamp. movie you’ve seen before. I don’t mind big budget Hollywood productions as long as they are somewhat creative with the storyline, don’t bore me with endless dialog/build up and provide lots of action and fun. Blade was a real surprise, as I wasn’t expecting much but it really blew me away with spectacular visuals, chase scenes that get your heart racing, a badass hero (Snipes’ character Blade), stunning action and an overall ultra sleek feel with tight pacing and a real lack of dullness (how refreshing). The gory death scenes are a nice treat as well, this is the advantage with cg effects: you can do pretty much anything if you can imagine it. Villains are sliced to pieces and spray geysers of blood similar to Shogun Assassin (another cool movie people should check out).

Wesley Snipes is not one of my favorite actors but he did a great job playing the role of a dark and mysterious warrior, he is almost bounty hunter like. Blade is a major vampire hunter, and has a really deadly arsenal of weapons, mainly consisting of a big sword that he uses to slash vamps. Blade prowls the city streets and underworld at night seeking the growing number of vampires that are planning to rule the earth. His strength and skills are heightened because of his genetics- he is part vampire. This idea works well for me, you have to be able to explain how he is able to be so successful as a hunter, how he can identify the vamps and over power them.
Blade’s strength is also his weakness though, he must take a syrum that controls his thirst for blood. This is gonna tie into the story for a nice little twist toward the end. Anyone who liked Interview With the Vampire will enjoy it.

Along with a new found female companion, Blade is lured into the final confrontation that will determine the fate of the world. Nothing new here, but the big showdown is well done and holds your attention till’ the cliffhanger climax. When these vampires die they puff up and explode,
spraying blood and guts into the air. This alone is worth seeing the film.

I’ve seen a few vampire movies, and I would have to say that Blade easily beats “John Carpenter’s Vampires” and “Fright Night” which are two of the most popular ones, but it’s not a fair fight since Blade is more action than horror.

Blade is a movie that oozes coolness, I would describe it as a mix of the Batman films, The Matrix, Highlander, Fist of the North Star, and From Dusk Till Dawn. I highly recommend it.

Cast

  • Wesley Snipes as Blade: A half-vampire “daywalker” who hunts vampires.
  • N’Bushe Wright as Dr. Karen Jenson: A plucky hematologist who is bitten by a vampire.
  • Stephen Dorff as Deacon Frost: An upstart vampire with great ambitions and influence.
  • Kris Kristofferson as Abraham Whistler: Blade’s mentor and weaponsmith.
  • Donal Logue as Quinn: A cocky minion of Frost’s, capable of surviving wounds that kill lesser vampires.
  • Udo Kier as Gitano Dragonetti: A vampire elder.
  • Sanaa Lathan as Vanessa Brooks: Blade’s mother, who has become a vampire.
  • Arly Jover as Mercury: A fleet-footed vampire and Frost’s lover.
  • Kevin Patrick Walls as Officer Krieger: A “familiar”, or human servant, of Frost’s.
  • Tim Guinee as Dr. Curtis Webb: Karen’s ex-boyfriend.
  • Traci Lords as Racquel: A seductive vampire who leads a man to the blood rave.

Ultimate Avengers

March 2nd, 2009
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Ultimate Avengers: The Movie is an engrossing animated feature that brings to life the Marvel magazine of the same name. However, creative changes have been made, and these may annoy some hardcore fans of the Avengers characters. Besides changes of race to Nick Fury and Janet Pym (Wasp), I can’t say another biggie.

Some reviewers complained about a) not enough character development and b) poor animation. Both these claims are bogus, as the animation is excellent in both line drawing, color, and depth. Character development is enhanced if you turn on the English subtitles. Instead of dialouge, there are trivia balloons that pop up periodically with intriguing information about the History of the Avengers, specific changes made for the animated feature, and character information. This is especially useful for someone unfamiliar with the series.

There is a lot of violence and sexuality. The two female superheroes have huge perky breasts, and one scene involves blatant seduction. In battle scenes, soldiers die. An astronaut desperately screams she is “burning up” as aliens attack a space station. In some of the most violent cartoon scenes I have ever seen, the Hulk goes bananas on his teammates, going for blows to the head, the knee, the throat. This is not kid stuff. Neither is the poignant story of the return of Captain America to a modern world, one in which he meets his former fiancee who is now elderly. Intelligent adults with a grasp of WWII will appreciate this storyline.

Cast

  • Justin Gross Captain America
  • Marc Worden Iron Man
  • Andre Ware Nick Fury
  • Grey DeLisle Wasp
  • Nolan North Giant-Man
  • Dave Boat Thor
  • Olivia D’Abo Black Widow
  • Fred Tatasciore Hulk
  • Michael Massee Bruce Banner
  • Nan McNamara Betty Ross
  • James K. Ward Herr Kleiser

The Dark Knight

March 2nd, 2009
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By the time I had finally got around to watching this movie, the hype had already cemented itself in my head. ‘It’s the greatest super hero EVER!’, ‘It’s one of the greatest movies EVER!’ Of course, such hype rarely lives up, but I went in wanting to love this movie. While certainly a great uncharted dimension for super hero movies, certain to shape the future of the genre for the foreseeable future (Superman is already to tread the path towards the dark), it does fall short in key places. So first off, my criticisms on why this movie as a whole doesn’t live up to the hype. Unfortunately, to fully explore this qualms that seem to solely bother me, I will have to give a spoiler or two.

Firstly, the movie strikes a dark and twisted realism that is very well done, giving a certain tone to the film that separates it from others. It’s gritty and chilling to say the least. However, with some glaring moments, Nolan leaves some farcical moments in the movie, for me at least, tarnishing the experience, mainly the unrealistically incometent police force. For example: Leaving the Joker with idiotic guard, going into a known death trap under the overpass… the list just goes on. Now of course, the Gotham City police has never been the brightest, but never to this ridiculous extent.

Secondly, while it would be inconsistent with the comics, and a few key themes of the movie, I’m just one of those guys that believes in killing the bad guy so he doesn’t come back for a sequel, especially in this case. Now, in the 3rd installment if there’s even a passing mention of The Joker, or lack of one, you’re going to have a massive elephant in the room… because that’s right kids, The Joker, terrorist and mass-murderer at large, lives to see another day. Now I might write this off had Ledger not died, but since his unfortunate death, Nolon knew he couldn’t bring the character back in any form, so why not just dispense of the character, especially since this presents no inconvenience, since in the last scene, he’s on his way down anyhow. Just let him go, and there’s no elephant. Also, A Dark Knight would imply some murder to his methods, as is, he’s more of a white knight, because he captures and brings to justice.

Speaking of the late great Heath Ledger, his performance is not only his best, but worthy of all the hype. If he doesn’t win a post-humous Oscar for this role, it would truly be a crime. Ledger not only gives a creepy and psychotic performance that sends chills down your spine, he completely rewrites the book on the character/psychopathic personality. Hannibal Lector almost looks like Santa Clause comparitavely. The rest of the cast is eqally excellent, from Bale to Gyllenhaal, from Caine to Freeman. Aaron Eckhart on the other hand gives a severely underrated performance, as he gives equally spine-chilling scenes… just not to the caliber as Ledger.

Just for kicks, I watched the original 1989 “Batman.” Comparitevely, the once heralded movie now looks even more of a farce, and an all-out comedy. From tone to acting, to story and everything else, there’s no comparison as Nolan has taken Batman from farce to brilliant charactacher. But that doesn’t mean this movie is the great, as I would even argue Batman Begins is a little better, and Iron Man still ranks as the greatest super hero movie so far. While putting up excellent performances and quite a few jaw-dropping moments, Dark Knight doesn’t follow through, and leaves some rather large elephants in the room. Odds are you’ll love this movie, but I’d personally would probably only watch it once.

Batman Begins

March 2nd, 2009
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BATMAN BEGINS lives up to what I heard about it being a “darker” version, with much less reliance on flippant one-liners or gags, the result being a more realistic feel for what might have been.

From the very start, there is a nice chemistry between Alfred, the butler (superbly played by Michael Caine) and Bruce Wayne (excellent job by Christian Bale). The humor is of the gentle kind, almost subtle in its implications, and it sets the stage for the more realistic flow of events to follow. There’s a pulsating background score by Hans Zimmer and John Newton Howard that races along with the film, punctuating it in just the right places, at just the right moments, to give a vigorous punch to the action scenes. And there are plenty of them.

But the quieter moments are all extremely well played and given depth by real characterizations–not just cartoonish figures. There is depth in all of the performances with the possible exception of Katie Holmes, an actress who speaks in a voice barely above a whisper and fails to project the belief that she is an assistant district attorney. Miss Holmes needs lessons in projecting her voice.

Looming over the landscape is Liam Neeson, a distinguished actor who excels in his carefully concealed villainy. He is a force to be reckoned with and displays all of his versatility here. Equally effective in lesser roles are Morgan Freeman, Rutger Hauer as the Board Chairman that Bruce Wayne ultimately replaces, and Gary Oldman.

The story is forcefully presented with magnificent visuals and eye-popping sets that all have a realistic gleam and are yet stylized enough to give credence to the fact that this is all based on a comic strip character.

I can’t praise Christian Bale enough as the man who dons that mask. He has all the strength and wily intelligence behind his serious good looks and makes the perfect embodiment of the action hero he is portraying. Firm of jaw, direct of gaze, he makes an excellent hero.

Praise too for Cillian Murphy, who makes the most of his Scarecrow role behind a mask of creepy blandness, underplaying his role (as most of the others do) so as not to become a caricature, as so often happens in these Batman enterprises. If it’s a series of running gags that you expect–as from previous Batmans–you won’t find them here. The thrills come one after another, set pieces that are astounding to watch.

Well worth the wait. Christopher Nolan has done an excellent job of handling his subject matter with great skill and flourish.